Wednesday, November 27, 2019
Learn How to Count in Italian
Learn How to Count in Italian Numbers are a must-know when learning a language because theyââ¬â¢re used in so many situations figuring out what time it is, how much something costs, understanding the timeline that your tour guide is talking about, doing math, understanding recipes, and even interpreting the WiFi password. Italian Cardinal Numbers From 1 to 100 You can use the following table to memorize numbers from 1 to 100. NUMBER AND PRONUNCIATIONà 1 uno OO-noh 2 due DOO-eh 3 tre TREH 4 quattro KWAHT-troh 5 cinque CHEEN-kweh 6 sei SEH-ee 7 sette SET-teh 8 otto OHT-toh 9 nove NOH-veh 10 dieci dee-EH-chee 11 undici OON-dee-chee 12 dodici DOH-dee-chee 13 tredici TREH-dee-chee 14 quattordici kwaht-TOR-dee-chee 15 quindici KWEEN-dee-chee 16 sedici SEH-dee-chee 17 diciassette dee-chahs-SET-teh 18 diciotto dee-CHOHT-toh 19 diciannove dee-chahn-NOH-veh 20 venti VEN-tee 21 ventuno ven-TOO-noh 22 ventidue ven-tee-DOO-eh 23 ventitr ven-tee-TREH 24 ventiquattro ven-tee-KWAHT-troh 25 venticinque ven-tee-CHEEN-kweh 26 ventisei ven-tee-SEH-ee 27 ventisette ven-tee-SET-teh 28 ventotto ven-TOHT-toh 29 ventinove ven-tee-NOH-veh 30 trenta TREN-tah 40 quaranta kwah-RAHN-tah 50 cinquanta cheen-KWAHN-tah 60 sessanta ses-SAHN-tah 70 settanta set-TAHN-ta 80 ottanta oht-TAHN-ta 90 novanta noh-VAHN-tah 100 cento CHEN-toh The numbers venti, trenta, quaranta, cinquanta, and so on drop the final vowel when combined with uno - 1 and otto - 8. Tre - 3 is written without an accent, but ventitrà © - 23, trentatrà © - 33, and so on are written with an acute accent. Also, notice that once you know the base number, like ââ¬Å"venti - 20â⬠, you can add your numbers for 1-10 to create ââ¬Å"ventuno - 21â⬠, ââ¬Å"ventidue - 22â⬠, ââ¬Å"ventitrà © - 23â⬠and so on. Esempi: A: Quanto costa la focaccia? - How much does the focaccia cost? B: Costa due euro e cinquanta centesimi. - It costs 2,50 euro. A: Fa caldo oggi! Quanti gradi ci sono? - Itââ¬â¢s hot today! Whatââ¬â¢s the temperature? B: Trentuno gradi! - 31 degrees! A: Che ore sono? - What time is it? B: Sono le due e undici. - Itââ¬â¢s 2:11. à Italian Cardinal Numbers of 100 and Greater Back in the old days, before the euros arrival in Italy, you could pay a few thousand lire for admission to a museum or for a cappuccino and biscotti. During that time, tourists needed to know more than just the numbers up to 100 to get around. Lucky for you, lire are history, but learning numbers greater than 100 will still prove useful, particularly when talking about years or the prices for any couture items. Number and Pronunciation 100 cento CHEN-toh 101 centouno/centuno cheh- toh-OO-noh/chehn-TOO-noh 150 centocinquanta cheh-toh-cheen-KWAHN-tah 200 duecento doo-eh-CHEN-toh 300 trecento treh-CHEN-toh 400 quattrocento kwaht-troh-CHEN-toh 500 cinquecento cheen-kweh-CHEN-toh 600 seicento seh-ee-CHEN-toh 700 settecento set-the-CHEN-toh 800 ottocento oht-toh-CHEN-toh 900 novecento noh-veh-CHEN-toh 1.000 mille MEEL-leh 1.001 milleuno meel-leh-OO-noh 1.200 milleduecento meel-leh-doo-eh-CHEN-toh 2.000 duemila doo-eh-MEE-lah 10.000 diecimila dee-eh-chee-MEE-lah 15.000 quindicimila kween-dee-chee-MEE-lah 100.000 centomila chen-toh-mee-lah 1.000.000 un milione OON mee-lee-OH-neh 2.000.000 due milioni DOO-eh mee-lee-OH-neh 1.000.000.000 un miliardo OON mee-lee-ARE-doh Esempi: 1492 - millequattrocentonovantadue1962 - millenovecentosessantadue1991 - millenovecentonovantuno2000 - duemila2016 - duemila sedici Italian Ordinal Numbers You can place items in order with ordinal numbers. For instance, il primo is the first course on a menu and il secondo is the second course, so pay attention to articles. Hereââ¬â¢s what they look like: English and Italian first primo second secondo third terzo fourth quarto fifth quinto sixth sesto seventh settimo eighth ottavo ninth nono tenth decimo eleventh undicesimo twelfth dodicesimo thirteenth tredicesimo fourteenth quattordicesimo fifteenth quindicesimo sixteenth sedicesimo seventeenth diciassettesimo eighteenth diciottesimo nineteenth diciannovesimo twentieth ventesimo twenty-first ventunesimo twenty-third ventitreesimo hundredth centesimo thousandth millesimo two thousandth duemillesimo three thousandth tremillesimo one millionth Milionesimo When used with the numerical succession of kings, popes, and emperors, the ordinal numbers are capitalized. For example, Vittorio Emanuele III (Terzo), who ruled the unified Italian nation from 1900 to 1946, was the third king with that name. Some other examples are: Pope Paul Quinto - Pope Paul VVittorio Emanuele Secondo - Vittorio Emanuele IILeone Nono - Leone IXCarlo Quinto à - Carlo V Here are some examples of centuries: diciottesimo secolo - eighteenth centurydiciannovesimo secolo - nineteenth centuryventesimo secolo - twentieth century Notice the regularity of ordinal numbers beginning with undicesimo. The suffix -esimo is added to the cardinal numbers by dropping the final vowel of the cardinal number. The one exception includes numbers ending in -trà ©. Those numbers drop their accent and are unchanged when -esimo is added. Since Italian ordinal numbers function as adjectives, they must agree in gender and number with the nouns they modify: primo, prima, primi, prime. Il primo ministro - The Prime MinisterIl primo sindaco donna della storia di questa citt - The first female major in the history of this cityPrendiamo il primo treno che arriva! - Letââ¬â¢s catch the first train coming!La prima della fila à ¨ questa signora, io sono la seconda. - The first in line ââ¬â¹is this lady, Iââ¬â¢m the second one.
Saturday, November 23, 2019
Best TV Shows About College Life
Best TV Shows About College Life If not for television, would we know how it feels to have the experience of raising 8 kids? Would we understand the thrill and rush that comes with learning to express yourself in high school through song and dance? What about the strength, bravery, and courage of a woman trapped in a religious theocracy that is simply doing what she can to survive and get herself out? While the plots for shows mentioned above may take their liberties with emotion and drama to create visually stunning programming and ratings producing statistics, something is to be said for those shows that create a more realistic window into the everyday lives of people. One of the most important of those experiences being, of course, college life. Television has, over the decades, created a wide range of shows that are meant to represent college life. Some take a more whimsical approach to the topic, like when Sabrina went to college and learned that life with magic isnt just hard in high school. Others take a more simple approach, choosing to pick and pull sugar coated lessons from college meant to entertain, rather than provide thoughtful insight into a character or experience like when Saved by The Bell took it to the College Years.. However, not all shows are designed to just be purely for entertainment. Some of the best tv shows about college put the focus on the characters and their complicated and sometimes tragic backstories, the political realness that comes with being different in a place where you have a voice to express it, and the all to familiar sense of falling in and out of love with the person you are becoming. Throw in a bit of bad cooking, take-out, deadlines, and romance, and you have the makings of a truly great tv show about college life. Here is our list of the Best TV Shows About College Life! Dear White People This critically acclaimed show about college life comes from Justin Simien. Dear White People focuses on a group of African American students at an Ivy League school that is trying to balance their school life with the ââ¬Å"post-racialâ⬠society we are currently in. While sometimes misguided, their actions put them in situations that give voice to current social and political issues facing minority college students today. What makes Dear White People so great, is that it is for everyone. The show doesnt just focus on stereotypical ââ¬Å"black-angerâ⬠or ââ¬Å"white-guiltâ⬠, instead, it shows us what life is like learning to interact with people on both sides who just dont know better than what they have been raised to believe. With an intelligent script and a standout cast, this is one college life tv show that you are sure to binge watch! Grown-Ish Something about college show spin-offs always tends to do well and Grown-ish is no exception. A spin-off of ABCââ¬â¢s blackish follows their eldest daughter as she traverses her way between what the series creator calls ââ¬Å"that in-between place where you are not quite an adult but facing grown world problems for the first time.â⬠What we love about this show is its very real ability to show how the character struggles with not always getting what she wants. Too often we go to college assuming that we have finally made it, only to realize that we are only just beginning the first steps into adulthood. This show provides an excellent view of what this can make us feel like, and more importantly, the doââ¬â¢s and donts of how to react to it. Veronica Mars Veronica Mars follows the story of a girl who had everything in high school, and, after a series of personal events, finds herself an outcast in her school and neighborhood. Turning lemons into lemonade, she begins her journey of healing and self-discovery working as a private detective for her father. While the first 2 seasons of this show put Veronica in high school, the final third season explores her transition into college life. The confidence, bravery, and cunningness needed to survive those harsh high school years are just enough to help her keep a hold on things as they turn upside down in college. What we love about Veronica Mars and her college years is watching what type of greatness can be achieved out of tragedy. No story is better for watching someone who fell from grace so to speak, rise up to be better, smarter, and more capable than they had ever dreamed of being. Different World This Cosby Show spin-off follows the life of Denise Huxtable as she journeys through her college life at a historically black college. What makes this so real is that it represented life for African Americans in a way that hadnt been done on TV at the time. Fully diving into the social and political challenges that people of color were facing at the time was highly instrumental in teaching and motivating African American students to enroll in university and find an outlet to be the type of change they wished to see in the world. Mixed into the all-star cast, and the strong storylines was also a lot of fun, laughs, pranks, and hilarious misunderstandings. Truly one of the best television shows about college ever created! Community This NBC sitcom features a ragtag bunch of students that get together, initially, to form a study group. As time continues, they form a rather unique, bond that pulls them through the ups and downs of life at a community college. What makes Community great is that the setting isnt your typical university where everyone is bright eyed and bushy tailed with a long and exciting future ahead of them. With it being a community college, the age of the characters widens,providing a unique perspective into the world of people when they think that they have done everything right and it all turns out so wrong. The best part about this college life tv show is that it uses humor and hijinks to prove a lesson that most are looking for in college just be yourself, because nobody knows what they are doing! Felicity Felicity followed a small town girl who thought she would follow a small town boy to the Big Apple to win him over. While Felicity led a sheltered existence, she soon learns that life doesnt always go as planned and that finishing the day off as the same person you started it isnt always possible. What makes Felicity so great is the fact that it best represents what happens when we thought we had a plan, and even something better comes along. The endless possibilities that hit us in our college years provide the foundation that we build all future decisions on and the story of Felicityââ¬â¢s journey is a moving and inspiring one that is sure to connect with anyone who wanted to follow their heart to a better life. The Magicians The Magicians comes from a book of the same name and follows a group of students doing a postgraduate program at Brakebills a school for magic. Often described as a darker and more adult version of Harry Potter, this show, in reality, is so much more. What makes this show so great is the fact that the magic aspect isnt a huge deal in the show. Or at least it is just as important as showing the characters leveling up of their emotional and mental prowess in addition to their magical one. Love, betrayal, stress, and anxiety all fold together beautifully to show a college experience that has everyone constantly stressed and worried if they are going to make it to the next day. That is surely something that everyone can relate to. And while the extra sci-fi touch to it may be a bit much for some, we are confident that it is just enough to keep you on the edge of your seat wanting more! Whether we love watching them because the stories are more relatable, or because the characters are more believable, (no teenager is ever that clever in real lifeever), one thing is for certain, they are the shows that touched our hearts and got us through some of the best and worst times in that wonderful time we call college life. Image credit: IMDB
Thursday, November 21, 2019
Critical Thinking Questions - Strategy and Competition Essay
Critical Thinking Questions - Strategy and Competition - Essay Example When an organization is in trouble the management can first think about retrenchment. Retrenchment is about making specific changes through cost and asset reduction to reverse declining profits. When an organization is specifically weak in a strong industry then the management can think about regrouping the strengths and evaluating the strategy at present to make specific changes. This process will highlight the areas that are weak and needs restructuring. Retrenchment helps in slowing down the decline in profits in the short run and in the long run when combined with other proactive strategies helps in the reversal of the profitability position. When the retrenchment strategy does not work, the management can try divestiture. Divestiture means selling off a weaker decision or a part of the organization. When it is distinct that a particular division is responsible for the overall loss of the organization the management can think about divestiture. When both the above said strategies do not work then the last option is the liquidation. Liquidation is recognition of defeat and is a very emotionally challenging strategy. When the damage can be controlled through alternative strategy, liquidation can be the last option. Change in relationships: The relationships within the organizations and with the external environment have changed because of disappearing levels of management. An organization depends on information technology, the internet, organizations are becoming flatter and leadership from top down has become obsolete. Disappearance of geographic distance: Resources are outsourced from companies across the world and formation of strategic partnerships has been enabled only because of internet connectivity. By outsourcing of services and procurement of the resources from the point of origin, cost is saved for the companies. Customer satisfaction: By
Tuesday, November 19, 2019
Importance of global trade in Singapore Essay Example | Topics and Well Written Essays - 500 words
Importance of global trade in Singapore - Essay Example Therefore, the key term will determine what affects Singapore in the global trade and what makes it sustain the world economic dynamics in trade. Global trade refers to the exchange of goods and services between different countries in the world. Therefore, this research will bring out the importance of exchanges of service and goods in Singapore. Singapore has a big role in the global trade. This is concerning its position in the world trade. The country has a good infrastructure in place, and most of its population is educated (Eiras et al., 2011). The country has a number of European companies built there and is among the leading external investor in the world. The country also has a good relationship with many countries. After understanding of the concepts, one develops an interest to research about the effect that Singapore has on the global trade. A discussion of the importance of global trade in Singapore has been explored using SWOT analysis. This will bring more insight of where Singapore is placed at the moment and its effect in the global trade Strengths: Singapore is ranked among the largest exporter of goods and services in the world. With this position, it plays a crucial role in global trade. As a country it gains, more advantage because of its position in the global trade. The country has achieved this through embracing of trade dependence and encouraging globalization. The country also has assured economic security, and this is through the General Agreement on Tariffs and Trade GATT that it acceded in 1973 (Eiras et al., 2011). These forms a system that has rules captured in World Trade Organization that see the country have economic dependence. The country also enjoys the foreign direct investment. It has over 10,000 companies from the European Union operating across a wide range of sectors. This makes Singapore the fifth largest external investor in the world by 2012 (Country Highlights of The
Sunday, November 17, 2019
A House Divided Speech Analysis Essay Example for Free
A House Divided Speech Analysis Essay If we could first know where we are, and whither we are tending, we could better judge what to do, and how to do it. We are now far into the fifty year since a policy was initiated with the avowed object and confident promise of putting and end to slavery agitation. Under the operation of that policy, that agitation has not only not ceased, but has constantly augmented. In my opinion, it will not cease until a crises shall have been reached and passed. A house divided against itself cannot stand. I believe this government cannot endure permanently half slave and half free. I do not expect the Union to be dissolved I do not expect the house to fall but I do expect it will cease to be divided. It will become all one thing, or all the other. Either the opponents of slavery will arrest the further spread of it, and place it where the public mind shall rest in the belief that it is in the course of ultimate extinction; or its advocates will push it forward till it shall become alike lawful in all the States, old as well as new, North as well as South. Have we no tendency to the latter condition? Let any one who doubts carefully contemplate that now almost complete legal combination piece of machinery, so to speak compounded of the Nebraska doctrine and the Dred Scott decision. Let him consider not only what work the machinery is adapted to do, and how well adapted; but also let him study the history of its construction, and trace, if he can, or rather fail, if he can, to trace the evidences of design and concert of action among its chief architects, from the beginning. The new year of 1854 found slavery excluded from more than half the States by State constitutions, and from most of the national territory by congressional prohibition. Four days later commenced the struggle which ended in repealing that congressional prohibition. This opened all the national territory to slavery, and was the first point gained. But, so far, Congress only had acted; and an indorsement by the people, real or apparent, was indispensable to save the point already gained and give chance for more. This necessity had not been overlooked, but had been provided for, as well as might be, in the notable argument of squatter sovereignty, otherwise called sacred right of selfgovernment, which latter phrase, though expressive of the only rightful basis of any government, was so perverted in this attempted use of it as to amount to just this: That if any one man choose to enslave another, no third man shall be allowed to object Then opened the roar of loose declamation in favor of squatter sovereignty and sacred right of self-government. But, said opposition members, let us amend the bill so as to expressly declare that the people of the Territory may exclude slavery. Not we, said the friends of the measure; and down they voted the amendment. While the Nebraska Bill was passing through Congress, a law case involving the question of a negros freedom, by reason of his owner having voluntarily taken him first into a free State and then into a territory covered by the congressional prohibition, and held him as a slave for a long time in each, was passing through the United States Circuit Court for the District of Missouri; and both Nebraska Bill and lawsuit were brought to a decision in the same month of May, 1854. The negros name was Dred Scott, which name now designates the decision finally made in the case. Before the then next Presidential election, the law case came to and was argued in the Supreme Court of the United States The election came. Mr. Buchanan was elected, and the indorsement, such as it was, secured. That was the second point gained The Supreme Court met again; did not announce their decision, but ordered a reargument. The Presidential inauguration came, and still no decision of the Court; but the incoming President in his inaugural address fervently exhorted the people to abide by the forthcoming decision, whatever it might be. Then, in a few days, came the decision. The reputed author of the Nebraska Bill finds an early occasion to make a speech at this capital indorsing the bred Scott Decision, and vehemently denouncing all opposition to it. The new President, too, seizes the early occasion of the Silliman letter to indorse and strongly construe that decision, and to express his astonishment that any different view had ever been entertained! At length a squabble springs up between the President and the author of the Nebraska Bill, on the mere question of fact, whether the Lecompton constitution was or was not, in any just sense, made by the people of Kansas; and in that quarrel the latter declares that all he wants is a fair vote for the people, and that he cares not whether slavery be voted dow n or voted up. I do not understand his declaration that he cares not whether slavery be voted down or voted up to be intended by him other than as an apt definition of the policy he would impress upon the public mind the principle for which he declares he has suffered so much, and is ready to suffer to the end. And well may he cling to that principle. If he has any parental feeling, well may he cling to it. That principle is the only shred left of his original Nebraska doctrine. Under the Dred Scott Decision squatter sovereignty squatted out of existence, tumbled down like temporary scaffolding, like the mold at the foundry, served through one blast and fell back into loose sand, helped to carry an election, and then was kicked to the winds We cannot absolutely know that all these exact adaptations are the result of preconcert. But when we see a lot of framed timbers, different portions of which we know have been gotten out at different times and places and by different workmen, Stephen, Franklin, Roger and James, for instance, -and we see these timbers joined together, and see they exactly make the frame of a house or a mill, all the tenons and mortises exactly fitting, and all the lengths and proportions of the different pieces exactly adapted to their respective places, and not a piece too many or too few, not omitting even scaffolding or, if a single piece be lacking, we see the place in the frame exactly fitted and prepared yet to bring such piece in in such a case we find it impossible not to believe that Stephen and Franklin and Roger and James all understood one another from the beginning, and all worked upon a common plan or draft drawn up before the first blow was struck Our cause, then, must be intrusted to, and conducted by, its own undoubted friends -those whose hands are free, whose hearts are in the work, who do care for the result. Two years ago the Republicans of the nation mustered over thirteen hundred thousand strong. We did this under the single impulse of resistance to a common danger, with every external circumstance against us. Of strange, discordant, and even hostile elements, we gathered from the four winds, and formed and fought the battle through, under the constant hot fire of a disciplined, proud, and pampered enemy. Did we brave all then to falter now? now when that same enemy is wavering, dissevered, and belligerent? The result is not doubtful. We shall not fail if we stand firm, we shall not fail. Wise counsels may accelerate or mistakes delay it, but, sooner or later, the victory is sure to come.
Thursday, November 14, 2019
Comparing Little House on the Prairie and Sarah Plain and Tall :: Compare Contrast Comparison
Comparing Little House on the Prairie, written by Laura Ingalls Wilder, and Sarah Plain and Tall, Written by Patricia MacLachlan Little House on the Prairie, written by Laura Ingalls Wilder, bears some resemblance to Sarah Plain and Tall, written by Patricia MacLachlan. Within both of the texts one can find two families that are adjusting to life out on the Prairie. Even though the books are written some fifty years apart they still portray the aspects of living on the prairies in the Midwest. In both books the parents seem equally important to the plot, while the point of view enhances the importance of the children within the books. In Little House on the Prairie the family is already formed, but the homestead is not. The opposite situation occurs in Sarah, Plain and Tall, where the homestead is in place but the family is not quite complete until Sarah travels from Maine to live with Jacob, Anna and Caleb. In both books, all of the characters are very similar. Charles and Jacob, the fathers in the books, are seen as very strong willed, loving and appear to be capable providers. The fathers in both of these books are in control of their families and do whatever is necessary to provide. On many occasions Charles travels to Independence to get food for his family and he also hunts and traps animals to sell their fur. Although Jacob's acts of providing for his family are more stationary, he works hard on their farm to provide for them. The men may be hard workers and do the main part of the manual labor, but the women also do their share to contribute to the success of the family. In Sarah, Plain and Tall the roof needs repaired and a storm is on the way. Jacob tells Sarah that he needs to fix the roof and she replies, "We will fix the roof." (46). Sarah and Caroline are both willing to do their share of work on the prairie. Caroline helps Charles build their house on the prairie. "Pa lifted one end of a log onto the wall, then Ma held it while he lifted the other end"(58). Sarah also insists that Jacob should teach her how to drive the wagon because she wants to go into town to get supplies.
Tuesday, November 12, 2019
Is Claudius Presented by Shakespeare as a Tragic Villain Without Any Redeeming Features? Essay
As the King, Shakespeare presents Claudius as an able ruler who is trying to prove his worthiness to his court. This is apparent in Act 1, Scene 2 in Claudiusââ¬â¢ opening speech. Claudius can be seen as being sincere in this speech as he mentions the death of his brother: ââ¬Ëbear our hearts in griefââ¬â¢ (page 15) and he also states that the country is ââ¬Ëcontracted in one brow of woeââ¬â¢ (page 15). His language could be interpreted as heartfelt in his opening speech as he feels genuine sorrow over his brotherââ¬â¢s death. This is a redeeming feature as he appears to feel love towards his brother for mentioning him as he takes his place as King. The language Shakespeare uses in Claudiusââ¬â¢ opening speech is dismissive about the threat that Denmark may face from Norway due to Fortinbras: ââ¬ËSo much for himââ¬â¢ (page 17). This is because he wants to display his confidence as a leader and to calm the listeners. This contributes to Claudiusââ¬â¢ redeeming features as he appears to be considerate towards the feelings of those within the court. He does not wish to worry them and therefore comes across as an able leader. It may be interpreted that Claudius is inferior to his predecessor and is trying to provide the court with the reassurance that he can follow on from the previous King. Hamlet states that Claudius is ââ¬Ëno more like my father/Than I to Herculesââ¬â¢ (page 25). This imagery that Shakespeare uses shows the previous King as a stern warrior in the mold of classical Greek heroes. In contrast, Claudius is a corrupt politician whose weapon is his ability to manipulate others through his skillful use of language. Shakespeare structures juxtaposition between the setting of Act one, Scene ne and Act one, Scene two in order to show a contrast in the reality and the dream in Claudiusââ¬â¢ mind. Act one, Scene one takes place outside the castle at the dead of night. This pathetic fallacy creates a foreboding and intense atmosphere, almost predicting the appearance of the Ghost. The Ghost represents the harsh reality that Claudius has to face and the reason for his feelings of guilt. Act one, Scene two contrasts with the previous scene as it takes place inside the castle, with Claudius at the centre. This is Claudiusââ¬â¢ dream situation, that he is King of Denmark with Gertrude as his Queen. The dramatic change in setting between scenes makes Claudius appear more oblivious to the consequences of his actions, as he is now centre of attention as King. This disillusion that Claudius appears to be in may deter the audience, as he cannot accept the effect of his actions. Unlike the majority of speeches throughout the play, Claudiusââ¬â¢ opening speech deviates from iambic pentameter. This reflects the disorder that Claudius has created because of the murder. Court life would ordinarily have order and tranquillity and the structure of Claudiusââ¬â¢ speech does not reflect this. However, it can be seen that Claudius is trying to restore order through his speech as he settles the court over the threat of Fortinbras: ââ¬ËSo much for himââ¬â¢ (page 17). However, this is unlikely as Claudiusââ¬â¢ actions led to the destruction of many other characters and does not restore order. The fact that the speech itself does not fit in with the typical Shakespearean structure of iambic pentameter, could reflect that Claudius himself does not fit in as the King of Denmark as he disrupts the divine hierarchy. Claudius disrupts the Chain of Being, a hierarchy derived from Aristotle and Plato; this would have been followed during the Elizabethan time period. At the top of the chain are God and the angels; whilst at the bottom are plants and rocks. Claudius disrupts the hierarchy as he takes the place of the previous King by marrying the Queen and not being next in line to the throne: ââ¬Ëâ⬠¦for which I did the murder/My crown, mine own ambition, and my Queenââ¬â¢ (page 165). This can be interpreted as a villainous act that was committed purely for the gain of Claudius. Such an act would be typical of a tragic villain as his acts lead to the downfall of the other characters. For example, Claudiusââ¬â¢ actions lead to Hamlet receiving a visit from the Ghost and therefore feigning his madness in order to, eventually, avenge his fathersââ¬â¢ death. However, it is possible that Claudius is not a typical tragic villain. Claudius appears to feel guilt for murdering his brother, which is clear from his soliloquy in Act three, Scene three: ââ¬ËMy stronger guilt defeats my strong intentââ¬â¢ (page 163). His attempted prayer proves he cannot be wholly evil if he seeks forgiveness for his sins. He does this although he is not a religious man: ââ¬ËBow stubborn kneesââ¬â¢ (page 165), which suggests he feels deep guilt and resentment over his actions for him to turn to religion for forgiveness. This is not typical of tragic villains, who tend not to be religious or feel any resentment for their behaviour. This could show that Claudius wishes to be saved from going to hell after his death, which would not be a typical concern of a Shakespearean villain. Claudius also creates peace with the other characters. For example, in his opening speech in Act one, Scene two, he is trying not to worry the court about the potential threat of Fortinbras, and in Act four, Scene five, Claudius tries to calm Laertesââ¬â¢ rage rather than encourage him to kill Hamlet. Such actions would not be typical of Shakespearean tragic villains, such as Iago from ââ¬ËOthelloââ¬â¢. Iago feels no guilt for his actions against Cassio, Othello and Desdemona and is aware of the pain he is inflicting onto others. His actions against Othello also appear purposeless as it is never revealed why he dislikes him and wants him to suffer so much. Claudius is unlike Iago as he does feel guilt and his actions are indeed purposeful. Whereas most of the other important men in ââ¬ËHamletââ¬â¢ are preoccupied with ideas of justice, revenge, and moral balance, Claudiusââ¬â¢ actions are focused on maintaining his power. Although Claudius is Hamletââ¬â¢s antagonist, he does have a number of redeeming features. He appears to have genuine affection for Gertrude, as one of the reasons for the murder of the King was to marry her: ââ¬ËMy crownâ⬠¦and my Queenââ¬â¢ (page 165). This also comes across in Act five, Scene two, as when Gertrude is about to drink the poisoned wine, he tells her ââ¬Ëdo not drinkââ¬â¢ (page 281). Claudius is aware of the affection Gertrude feels for Hamlet and when trying to be rid of him, considers her feelings: ââ¬ËThat as the star moves not but in his sphere/I could not but by her. ââ¬â¢ (page 223). The imagery that Shakespeare uses is very unlike Claudiusââ¬â¢ character and more similar to Gertrudeââ¬â¢s. The imagery of spheres, that at the time where believed to revolve around the Earth containing heavenly bodies, shows that Claudius has love for Gertrude and could not live without her. Claudius also appears to care for Hamlet to some extent. He appears to be concerned for Hamletââ¬â¢s well-being, as he brings in Rosencrantz and Guildenstern in order to work out the cause of his ââ¬Ëtransformationââ¬â¢ (page 77). However, some may argue this is just an excuse for Claudius to discover whether or not Hamlet may know the truth of his fatherââ¬â¢s death. He thinks Hamletââ¬â¢s madness is ââ¬ËMore than his fatherââ¬â¢s deathââ¬â¢ (page 77) and therefore wants to uncover the reason behind it. It can be seen that Hamletââ¬â¢s madness is feigned and he does this purposely to see if Claudius is becoming suspicious of his actions. For example, in Act three, Scene two after witnessing Claudiusââ¬â¢ outburst when the Player King is killed, Claudius demands for the lights: ââ¬ËGive me some light ââ¬â away! ââ¬â¢ (page 153). This could be seen as an expression of emotion as Claudius feels tremendous guilt over his brotherââ¬â¢s death or as a way of not allowing anyone else to gain suspicion in him through the play. Other interpretations of Claudius that the audience receive are from the other characters. Shakespeare presents grotesque and vile imagery used by Hamlet and the Ghost to describe Claudius. When Hamlet sees the Ghost in Act one, Scene five, the Ghost uses imagery of disease and corruption to describe Claudius and his actions: ââ¬ËAy, that incestuous, that adulterate beastââ¬â¢ (page 51). Shakespeare uses the word ââ¬Ëbeastââ¬â¢ in reference to a cuckold. In Elizabethan times, if a woman were to have an affair, the husband would be known as a cuckold with horns to represent their foolishness in ââ¬Å"losingâ⬠their wives. This imagery contrasts with the audienceââ¬â¢s first interpretation of Claudius where Shakespeare presents him as a competent leader. This is the only alternate view that the reader receives in the play as both Hamlet and the Ghost have reason for hating Claudius. The view that Shakespeare gives them will have been fogged by their hatred of him and not give a fair representation of Claudiusââ¬â¢ character. To conclude, Claudius is not a typical tragic villain due to his feelings of guilt and his consideration of others. The representation the reader receives from other characters is not a fair interpretation due to their abhorrence of him. Bibliography Heinemann Advanced Shakespeare ââ¬â ââ¬ËHamletââ¬â¢ sparknotes. com sirbacon. org ââ¬â F. C. Hunt interpretation
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